would love to work with

- directing/choerographing bigger groups with diverse bodies and minds; - being outside eye/dramaturgy/ assisting a creative process; - choreographing for classical academic companies; -Opera productions; -Theatre productions; -, or more particularly, have Milo Rau or/and Jerome Bel as mentors or outside eye; artists who transcend the western aesthetics; making a "cover" of the first five minutes of Forsythe's Second detail(opening scene); really nerdy dance-historians; Onofrio Chillemi as set designer; musicians with funky instruments; connectings sports and dance; education for professional dancers/choreographers, programming and audience-education; with people that keep working cuz they love and are generally happy;.... maybe a phd in the future;